terribleminds

chuck wendig. penmonkey
www.terribleminds.com

The Days When You Don't Feel Like Writing

Reminding myself of this one today…

BIG-ASS BOOK BUNDLE: ENDING SOON, SO GET IT BEFORE THE BONE MAN WHAT NEVER MIND I DIDN’T SAY ANYTHING ABOUT A BONE MAN

The Gonzo Big Book Bundle.

Seven writing e-books.

Name-your-price, starting at $10.

Buy eBook

I’m running this until the end of the month, which is in just a few days.

Nab it while the nabbing is good.

Or before the BONE MAN finds you.

I didn’t say anything about a BONE MAN. Who said BONE MAN?

It wasn’t me.

There definitely isn’t a supernatural BONE MAN that I’ve hired to hunt down people who displease me by failing to take part in my wonderful book promotions. He definitely doesn’t have a thousand fleshless fingers and centipedes for his lips.

There’s no BONE MAN.

Night night.

Sleep tight.

Don’t let the BONE MAN bite. Your face. Off the skull. Which is how you join the BONE MAN and haunt people as one of his OSSEOUS MINIONS oh there I’ve gone and said too much.

*draws curtains*

Now Available: 500 Ways To Write Harder

500 Ways To Write Harder: Coming Soon My newest e-book writing release is now available. You have a handful of ways to buy this, were you so inclined. First: Amazon, $2.99. Second: direct from me (link):   Third: as part of a seven-book, name-your-own price bundle (link):   Finally: B&N, $2.99.

Book Description

"Chuck Wendig’s Confessions of a Freelance Penmonkey is full of the kind of writing advice I wish I’d gotten in school. Practical, brutally honest, and done with the kind of humor that will make it stick in your brain. Whether you’re a veteran writer or new to the craft, you’ll find something useful in here. Plus he says ‘fuck’ a lot, so, you know, there’s that.”

— Stephen Blackmoore, author of Dead Things

500 Ways To Write Harder aims to deliver a volley of micro-burst idea bombs and advisory missiles straight to your frontal penmonkey cortex. Want to learn more about writing, storytelling, publishing, and living the creative life? This book contains a high-voltage dose of information about outlining, plot twists, writer’s block, antagonists, writing conferences, self-publishing, and more. All this, straight from the sticky blog pages of terribleminds.com, one of the 101 Best Websites for Writers (as named by Writer’s Digest). This book contains the following chapters:

  • 25 Bad Writer Behaviors
  • 25 Hard Truths About Writing & Publishing
  • 25 Steps To Becoming A Self-Published Author
  • 25 Steps To Edit The Unmerciful Suck Out Of Your Story
  • 25 Things To Do Before You Start Your Novel
  • 25 Things You Should Know About Antagonists
  • 25 Things You Should Know About Conventions & Conferences
  • 25 Things You Should Know About Metaphor
  • 25 Things You Should Know About Narrative Point-of-View
  • 25 Things You Should Know About Outlining
  • 25 Things You Should Know About Worldbuilding
  • 25 Things You Should Know About Young Adult Fiction
  • 25 Things Writers Should Beware
  • 25 Things Writers Should Know About Traveling
  • 25 Turns, Pivots and Twists To Complicate Your Story
  • 25 Ways To Be A Happy Writer
  • 25 Ways To Get Your Authorial Groove Back
  • 25 Ways To Survive As A Creative Person
  • 25 Ways To Unstick A Stuck Story
  • 25 Writer Resolutions
  • Appendix: 50 Rantypants Snidbits Of Writing And Storytelling Advice

This Is What Goes Through My Head When I Edit My Own Writing

Who wrote this drivel?

Shit, it was me. It was me.

This thing reads like a fucking VCR repair manual. Is this even English? It’s got all the grace and elegance of a drunk girl puking in a potted plant at a frat party. It’s got all the speed and potency of an old man with a colostomy bag rolling clumsily down a shallow hill. It’s ugly like the winking sphincter of a sick giraffe. IT’S TURDS THE WHOLE THING IS TURDS AAAAAAGH FIRST DRAFT? MORE LIKE WORST DRAFT AM I RIGHT OR AM I RIGHT

I DUNNO IF I’M RIGHT

I DUNNO ANYTHING

WHO AM I WHAT IS MY VOICE WHAT IS THIS PIECE OF MONKEY DICK I WROTE

AGH AGH AGH AGH

*ten minutes of sobbing*

Okay. No. It’s cool. This is where the magic happens. The first draft is just me dumping all the puzzle pieces out. But it’s still a jumbled image. This part is where the art lives. This is when the story is smashed together, piece after piece. I can make it all make sense! I can polish this turd to a burnished, blinding sheen so bright it will blind the very heavens!

Thank all the gods and all the devils for good editors.

These notes are great.

Though they remind me how terribly inadequate I am.

But that’s fine. I’ve got a shaky flashlight. I can see the way forward.

Okay, see, yeah, all right, this part’s pretty good. And I thought it was terrible when I wrote it. Sweet. Nice. Yes. Gold star. Trophy. Triumph. Except, this other part I thought was awesome – that I need to be awesome — is clunky. Kludgey. I’m reading it and it feels like I’m chewing a piece of dry bread and cheese — it’s a hard slog and I can’t swallow it oh my god the reviews when this book comes out are going to murder my soul.

*shallow breathing*

Breathe in. Breathe out.

It’s all just pieces. Start big. Go little.

Every component just needs some attention. That’s easy. Take a wrench to this one. A hammer to that one. We fix things by breaking them. This is surgery.

Sometimes you stitch. Sometimes you chop off a limb.

Nice. Yes. Things are looking better.

I’m feeling good.

Moving along at a nice clip, now

OH HOLY FUCKMITTENS A GIANT PLOT HOLE

*falls into it*

*breaks narrative ankle*

*spasms*

crap crap crap crap

This thing’s like a Sarlacc pit — a suppurating desert canker. You could lose a whole Rancor Monster in this thing. It doesn’t make sense. Where’s the logic? What was I thinking? Was I high when I wrote this? Did someone else write this? IS THIS A PRANK BY A TIME-TRAVELER? This doesn’t feel right. The character wouldn’t act this way. This doesn’t feel authentic to the time or the place or the scene or my writing or to ANY AND ALL OF REALITY shit shit shit poop crap fuck balls cocktaco jizzwich shimmering blumpy nuggets AAAAAAAAA

*takes 15 minutes to commune with the sparkly collective intelligence called ‘Twitter’*

*trades witty banter with other procrastinating writers*

*improves mood by four micrometers*

Oh! Oh my gosh. Look. If I just rewrite this one tiny paragraph, add a couple hundred words, it ties everything together! Ha ha ha! It’s like a little knot! Like I’m tying a shoe! That’s all, a quick loop and lace and here we are, all fixed, all tidy, we can start to run again and –

GODDAMNIT this thing is so delicate, so sensitive — I moved once piece and now ten other parts don’t make sense. I removed one little widget, one tiny flywheel and now the watch doesn’t tell the right time in fact it’s not telling time at all but instead broadcasting HONEY BOO-BOO in Portuguese by the love of sweet saint fuck aaaaaagh

*starts kicking holes in manuscript*

*takes an axe and starts chopping out whole paragraphs, chapters, characters*

*guzzles vodka and Red Bull*

*plays Xbox for a while*

*takes an angry nap*

*hastily rewrites destroyed sections*

These characters are stupid –

This plot is transparently bad –

I HATE THIS BOOK WITH THE BURNING STENCH OF A GARBAGE FIRE

I am inadequate as an author

Possibly as a human being

Nobody should let me near words again

BECAUSE I’M MESSING THEM ALL UP

theme what’s theme mood THERE IS NO MOOD this isn’t a story arc so much as it’s just a dead clown in the desert whose innards have been eaten by coyotes and whose gassy carcass is now the home of slumbering lizards everything is soggy and deflated and the tension is blown out like a nail-popped wheelbarrow tire and everything is falling out into the mud and the slurry

gazza booza fuzza wuzza

bbbbbbbbbbt

oh god help

hold up

what’s this now

hey wait

this section is pretty good

that section’s not bad either

man I kinda love this character

editing is rewriting is rewriting is rewriting

it’s better now than it was

that’s a good sign right?

DEAR UNHOLY DEMONS, IT’S IMPROVING

maybe it doesn’t suck as bad

maybe it doesn’t suck at all

woo!

I’m doing it!

I’m editing it!

I’m turning a piece of lead into — well, not gold, exactly, but at least a reasonable facsimile of something that isn’t terrible! It’s amateur hour alchemy, motherfucker! it sucks less! I suck less! everything sucks less! I HAVE SUCKED THE SUCKITY SUCK FROM THIS SUCKY SUCKFEST

THAT’S ONE CHAPTER DOWN

SIXTY MORE TO GO

*cackles and weeps*

Seven Habits Of Successful Writers:

1. Write

2. Write

3. Write More

4. Keep Writing

5. Finish Writing

6. Rewrite

7. Go Write Something Else

“Writing a book is easy. Writing a *good* book is hard. It’s like shitting out a typewriter one painful, jagged mechanical part at a time.”

—   terribleminds.com

#amwritingmotherfuckers

Writers think, dream, scream, flail, procrastinate, market, edit, email, caffeinate, plot, scheme, but above all else?

Writers write.

Translation: if today is your first day at Write Club? YOU HAVE TO WRITE.

(Also true if it’s your third, seventh, or eight-hundredth day.)

The Varied Emotional Stages Of Writing A Book

Adverbs

"Never use adverbs," they say.

The word “never” is an adverb, I say.