terribleminds

chuck wendig. penmonkey
www.terribleminds.com

“‘We Have Always Fought’: Challenging the ‘Women, Cattle and Slaves’ Narrative” by Kameron Hurley — A Dribble of Ink

A must-read for any writer of fiction. And for anyone, y’know, existing in this world. Kameron Hurley wrote an incredible piece here.

3 days ago - 95

25 Things You Should Know About Outlining

Every [writing] process you choose should be in service to getting the best story in the way that feels most… well, I was going to say comfortable, but really, comfort is fucking forgettable in the face of great fiction, so let’s go with effective, instead.”

1 week ago - 835

How To Maximize Your Word Count And Write More Every Day

Hopefully, these tips will get you writing a little more per day — even carving out an additional 500 words in a day is a good start. Again, that’s not to say this is for everyone: but sometimes deadlines or aspirations demand you hit the accelerator. And these tips may help you do it.”

2 weeks ago - 381

“Every author decides to go on a grand adventure one day, and that grand adventure is to find her voice. She leaves the comfort of her own wordsmithy and she traipses through many fictional worlds written by many writers and along the way she pokes through their writings to see if her voice is in there somewhere. She takes what she reads and she mimics their voices, snatching little pieces of other authors with her in her mind and on the page.

Is her voice cynical? Optimistic? Short and curt, or long and breezy? She doesn’t know and so she reads and she writes and she lives life in an effort to find out.

This adventure takes as long as it takes, but one day the author tires of it and she comes home, empty-handed, still uncertain what her voice looks like or sounds like.

And there, at home, she discovers her voice is waiting. In fact, it’s been there all along.

Your voice is how you write when you’re not trying to find your voice. Your voice is the way you write, the way you talk. Your voice is who you are, what you believe, what themes you knowingly and unknowingly embrace. Your voice is you. Search for it and you won’t find it. Stop looking and it’ll find you.”

http://the52review.blogspot.com/2013/05/interview-with-chuck-wendig.html

What The Hell Is A “Hybrid” Author, Anyway?

1 month ago - 191

Whenever you feel that sense of urgent doubt nibbling at your bowels like a gut-load of rats, know you’re not alone. Somewhere out there some other writer is feeling it. A writer yet unpublished. A mid-lister, a self-published, a Stephen King, the ghost of Marcel Proust.

We are all bound to one another by the ropes of our uncertainty.

Sharing that frequency of heebie-jeebies and jittery jangly nerves.

The best we can do is help one another dispel those fears.

Or, at times, just merely to commiserate.

http://terribleminds.com/ramble/2013/04/10/the-writer-as-stowaway/

"Indie First?" What Is Best In Publishing?

We’re possibly on the cusp of a golden age for writers. We have so many paths up the mountain. Let’s celebrate that. Let’s cheerlead not one option but all the options — and let’s embrace the fact that each path has strengths and weaknesses that’ll suit some authors and repel others. We don’t need to shut down or shout down options. We don’t need to suggest one way is superior. Or that others should feel inferior for their choices.”

1 month ago - 14

When Self-Publishing Is Just Screaming Into The Void

Final note: self-publishing is not a get-rich-quick scheme. I feel like we all know this, and yet day in and day out you see authors who just keep expecting to up and quit their day jobs because they self-published one thing and one thing not well.”

1 month ago - 168
“Our stories are best when they are put to paper and made to reflect the bravery and madness of the storyteller, to mirror our Byzantine hearts, to channel the chaos of life and love and all the unexpected and unpredicted things that come along part and parcel.
Our stories are best when they are like the storyteller: when they have gone off-book, off-world, off the goddamn reservation. When they have forgotten their lines and made up better ones, when they have lost the map and found secret passages and unknown caverns.
Don’t be afraid to do different. Don’t be afraid to tell stories the way you want to tell them. With genre or page count or style, with voice or plotline or character, I say hop the rails, I say kick down the walls, I say tear up all that yellow DANGER DO NOT ENTER tape. Be bold. Ride the sharp turns. Gallop down the mountain switchbacks. Tell your stories the way you want. Tell the stories that aren’t married to a safe and previously-established pattern.
Be the shaman in the darkness.
Find your own shape. Seek your own circuitous route.
Escape. Disobey. Rebel.
Fuck the straight line.”
Read more of this post at terribleminds.com.

“Our stories are best when they are put to paper and made to reflect the bravery and madness of the storyteller, to mirror our Byzantine hearts, to channel the chaos of life and love and all the unexpected and unpredicted things that come along part and parcel.

Our stories are best when they are like the storyteller: when they have gone off-book, off-world, off the goddamn reservation. When they have forgotten their lines and made up better ones, when they have lost the map and found secret passages and unknown caverns.

Don’t be afraid to do different. Don’t be afraid to tell stories the way you want to tell them. With genre or page count or style, with voice or plotline or character, I say hop the rails, I say kick down the walls, I say tear up all that yellow DANGER DO NOT ENTER tape. Be bold. Ride the sharp turns. Gallop down the mountain switchbacks. Tell your stories the way you want. Tell the stories that aren’t married to a safe and previously-established pattern.

Be the shaman in the darkness.

Find your own shape. Seek your own circuitous route.

Escape. Disobey. Rebel.

Fuck the straight line.”

Read more of this post at terribleminds.com.

From “25 Ways To Be A Happy Writer,” at terribleminds.

From “25 Ways To Be A Happy Writer,” at terribleminds.